Blinding expectation leads many of us to struggle with achieving our goals. Since everyone’s primary goal is belong, we tend to expect the love and acceptance we seek to come in a particular form, which causes us to miss when we’re actually getting offered what we need.
A good example of this innocent mistake can be seen in the film Grace of Monaco, starring Nicole Kidman as an extremely impressive version of the real princess (and Tim Roth doing an equally brilliant turn as her husband, Prince Rainier). It’s a stellar cast and script, but in today’s age of action heroes these sorts of profoundly human stories too often get ignored.
The fact that the writer managed to tell a profoundly human story about a princess was no easy feat. I’m not sure how accurate the film is (I do know a friend of Prince Albert’s –their son– and will try to find out), but for the purposes of this piece all that matters is that the writer a) used a very real event in history and, b) he accurately portrayed the princess making a common human mistake.
The backstory is that Grace Kelly grew up as the daughter of a wealthy American businessman. Grace constantly felt inferior to her sister and unloved and disrespected by her parents. Many people can relate to those feelings which is what makes a film about a princess, universal.
People short on love from the sources we’re told we ‘should’ get it from (like our parents), will often then seek that love in a much shallower, but broader sense from a much larger group of people simply because it’s safer. Who notices a few people not clapping in a room full of clapping people? Celebrity love is spread thinly enough to act as a form of fallibility insurance.
This is why many unloved people seek to be stars of various types. (It’s also why the disenfranchised in society join gangs and hate groups.) We all move towards people who care for us. That is where we are accepted and safe, and the highest form of love is love without conditions.
That is where we are accepted and safe, and the highest form of love is love without conditions.
Needing to feel cared for and admired, it’s no surprise that Grace the disappointing daughter had a decent likelihood of ending up in a job where she was loved regularly by people too distant to disappoint her. But despite her fame and success as an actress, she still did not feel accepted or respected by her family, and her mother refused to offer anything more than cold comfort.
As a demonstration of how important acceptance is to human beings, Grace’s response to not being respected and loved was to be swept off her feet into a fairy tale wedding with a Prince. Surely being Royalty would impress her family. Surely being a princess was romantic. But apparently not.
Grace’s problem in the film is that she wants to be loved so desperately. But her husband has a duty to the State and plays the sort of role that means he cannot be the husband she seeks. He is an able and trustworthy partner, but he was raised in too rigid a life to have developed the warm sensibilities she sought.
But remember what we said about expectation? Grace’s problem wasn’t that she couldn’t get love and respect, it’s that she kept trying to get it from people that couldn’t give it. For her parents it was pride and ego that were in the way; for her husband, duty and decorum.
Critical to the story is that her marriage overlapped a crises for the Principality of Monaco. Having no taxes, France saw all of her businesses leaving the nation for Monaco. De Gaulle –the former French Resistance leader turned President of France– wanted Prince Rainier to force a tax on the Monaco’s citizens.
France had complete control of Monaco’s utilities, supply chains and harbours. They had little to bargain with. De Gaulle was threatening tanks in their streets.
The turning point in the story is when Grace realizes that her husband does love her, but must play his role. She also realizes that Monaco needs her, and that her own role actually means something.
Grace is media savvy, and so she knows that even Presidents are subject to public opinion. By surrendering her efforts to get love from a singular source like her parents, or her husband, Grace was free to become her own person by serving her people in the greatest role of her life –that of their Princess.
Grace didn’t need love as much as she needed to be valued.
I would like to think that the final scene captures the moment fairly honestly, because the very quiet and subtle film wraps up rather neatly and beautifully with the results of Grace’s growth.
In a metaphor of her own life, Princess Grace not only cleverly saves the nation (no spoiler for you there –it is still there after all), but in doing so she demonstrates that a person’s ability to value themselves does not depend on the fickle love of others.
Our self-worth is inherent. Once we become aware of that we have few needs, from there we need only find how to serve with the abundance that is us –not enacting what we have to offer is as painful as not knowing it’s there.
We are at our best when we feel secure about ourselves. Without the debilitating drag of our insecurities, were are automatically left with an abundance of love to share with others. So rather than expecting love to come to us in the form of affection, we need to maintain an awareness of the fact that some of love’s greatest forms are actually found in the sense of exaltation that can only be created by sincerely giving our all.
peace, s
Following a serious childhood brain injury Scott McPherson unwittingly spent his entire life meditating on the concepts of thought, consciousness, reality and the self. This made him as strange to others as they were to him. Seeing the self-harm people created with their own overthinking, Scott dedicated part of his life to helping others live with greater awareness. He is currently a writer, speaker and mindfulness instructor based in Edmonton, AB, where he finds it strange to write about himself in the third person.
Another way to help out is to take control over your Director of Photography regarding what you’re going to commit to film. For the filmmaker the film isn’t so much in the showing of the film as it is the making of it. So your day is what you shoot. And the lens is like your attention. Where you focus it will tell you what kind of shot you’re going to get. If you shoot sad scenes expect a sad experience. Likewise for happy ones etc. etc. etc.
Clint will still film both joy and sadness, pleasure and pain, gain and loss. Again, the profound living is less so in the content and more so in the depth of our appreciation of that content. Even in the sad scenes we can authentically feel that Clint loves his work, he loves the people he works with and he loves his stories–and it all shows in his incredible track record. Your life can be the same.
Your mind is such a subtle thing. It’s difficult for you to accept but your version of reality is little more than a collage of your thoughts and beliefs. The influences on you are many and they are both intentional and unintentional. But in this blog I’ll prove that all day long your mind is doing far more interpreting than you realize.
Every talented and skilled film professional is working to move the story forward through their own artform. If they’re good and they know what they’re doing then they are intentionally manipulating wiring that you already have in your brain for interpreting the world. That matrix of beliefs is why the world appears to you as it does. And that extends beyond movies and TV shows and into your everyday life. It’s only a matter of–what did you get taught to edit into your own life movie?
infallible. But to realize that you’ve been given a job because it needs doing. And your job is to do it the best you can, which I did.
Don’t let fears of being liked prevent you from doing what you think is right. You absolutely will be wrong quite often, just like all of us. But as long as you’re right more than you’re wrong, they let you keep playing the big sandbox.