The reason artists are often called “crazy” is that the two states of creativity and insanity are really degrees of the same thing; few people talk to themselves more than artists need to, and more talking to yourself than that starts to get dangerously close to being lost in thought, otherwise known as “crazy.”
Most people have a boss with deadlines and job descriptions they have to fulfil so they can’t see how much that format is making them work, because even entrepreneurs know it’s much harder when there’s no external deadline imposed. But at least an entrepreneur has a client they’re servicing, but the reason they find marketing the hardest part is the same reason art’s difficult; there’s not only no boss, there’s no customer and the job is pure open space. As an artist you can’t even go to work until you decide how big your canvass should be.
Athletes might bemoan their hours spent training, but most artists would trade them that feeling for the agony of finding it difficult to create. I get a lot of mock hate-comments from artist friends who can’t figure out how I can do other writing and these pages every day by 7am. When your thoughts hold you back creating is very very hard indeed. I remember that sense well.
It’s terrifying to start a piece of art because you have a lot of notable things to think about. You have big, public ways to fail. If you’re an author you’re probably comparing yourself to literally the very best people in the world. If you’re a painter you’re worried about $2,500 in paint and canvass you have to invest before you can even try to sell it. If you dance you’re worried about injuries and being a musician on the road has all sorts of potential pitfalls. It can easily make you crazy if you do too much thinking and too little creating.
We’re all such harsh critics. We could still have our opinions and yet talk to people with the approach we’d use with them a kid, where we’d have fewer expectations and where we’d want to be more encouraging. But as adults we make it painful to show personal things. We offer our negative opinion; our corrections. And even if they’ve paid us for that opinion, it still hurts them to hear voices of nonacceptance. And so creating art is hard. The climb is high and the fall feels long.
What’s important for the artist or any other person to remember is that these distances we’ve climbed and these heights we fall from all exist only within our imaginations. You’re not linear. You didn’t advance and then fall back; you expanded and then expanded again. The courage to create work is hard enough; the courage to show it publicly is even more precarious. These are victories not failures. These are what every great artist experiences. It is simply the act of moving past our fears and into an act of creation.
We tend to think that when things are painful we must be doing something wrong but we only feel that way because there’s a cult of feeling good when in truth you wouldn’t even be able to sense feeling good without feeling bad to compare it to. So we must embrace feeling unsettled and wounded too, lest the art of our lives be shallow and hollow.
Artists spend very little time actually physically creating their art. What they do is spend time doing is observing life and then capturing poignant, worthwhile moments of it in art so that we too can benefit from their keen observations. Maybe they see something funny, maybe it’s what lead them to no longer be racist, it doesn’t matter; their only job is to place it in the world for us to find in the format we personally understand things in, whether that’s dance or painting or any other form.
Artists would benefit if they treated their art more like work, but before they can do that they must have enough respect for themselves that they actually feel genuinely motivated to live up to their own deadlines. If an artist is excited about what’s next then it makes sense that they’ll be excited to complete the project they’re working on, and that’s what gets the deadlines met; not a boss, not a date on a calendar–a genuine desire to finish so that more can be created. That’s a lesson the rest of the work-world can learn from successful artists.
Find what matters about your work even if that ends up being your co-workers having better days so they go home to their kids happier. As long as you feel genuinely motivated to create that positivity by doing what you’re doing, then the doing of it won’t feel much like work because it won’t be. It’ll be your life. It’s time you started actively living more of it. I’ll be better for everyone.
Scott McPherson is an Edmonton-based writer, public speaker, and mindfulness facilitator who works with individuals, companies and non-profit organisations locally and around the world.
Following a childhood accident should have left him dead, Scott McPherson spent his life meditating on thought, consciousness, reality and the self. Seeing the emotional damage done by ego-based overthinking he began dedicating a part of his life to guiding students toward more peaceful and rewarding lives. He is currently a writer, speaker and mindfulness instructor based in Edmonton, Canada.